Deng Atem, also known as Deng Forbez, is a South Sudanese visual artist, storyteller and media creative whose work sits at the intersection of art, advocacy and community impact. With a background in creative communication and digital media, he uses his practice to explore themes of identity, resilience, healing and social awareness.
His work is known for its emotional depth and bold storytelling, often reflecting lived experiences while addressing topics such as mental health, youth empowerment and public health. Through illustration, comic art and visual narratives, Deng creates pieces that balance honesty with moments of humour, using art as a tool for dialogue and education.
Alongside his visual work, Deng is also a writer and voice actor, contributing to projects including BBC Media Action’s Life in Lulu. Through both his creative output and digital platforms, he continues to build a community-driven practice focused on impact, storytelling and positive change.
For sizing and delivery details click HERE.
Deng Atem, also known as Deng Forbez, is a South Sudanese visual artist, storyteller and media creative whose work sits at the intersection of art, advocacy and community impact. With a background in creative communication and digital media, he uses his practice to explore themes of identity, resilience, healing and social awareness.
His work is known for its emotional depth and bold storytelling, often reflecting lived experiences while addressing topics such as mental health, youth empowerment and public health. Through illustration, comic art and visual narratives, Deng creates pieces that balance honesty with moments of humour, using art as a tool for dialogue and education.
Alongside his visual work, Deng is also a writer and voice actor, contributing to projects including BBC Media Action’s Life in Lulu. Through both his creative output and digital platforms, he continues to build a community-driven practice focused on impact, storytelling and positive change.
For sizing and delivery details click HERE.
