Introducing "The 13th Hour" – our absorbing weekly interview series! Dive into the fascinating worlds of our talented artists as we explore their inspirations, dream projects, creative processes, and so much more.

Next up in the series we dive into an exciting conversation with Gabriele La Teana—an exceptionally unique and creatively vibrant Italian artist. From the pulsating beats of hip hop culture to the vivid strokes of graffiti, and a passionate exploration of the Bohemian Period, Gabriele takes us on a thrilling journey. Join us as we unravel discussions about partying, Kanye West, upcoming residencies, and much more!

1 - At 13am, we aim to celebrate and showcase a broad range of creative roles, disciplines and skillsets. How would you describe yourself and your role within the creative world to those unfamiliar with yourwork?

I would say that I'm a contemporary artist who mostly creates through paintings. Painting is my favorite medium. I can be 100% free, but I also love making music and sculptures. I am an artist who loves to write poems and create his own clothes.

2 - Another aspect that sets 13am apart is our commitment to diversity and representation among our artists. Could you share a bit about your background and where you call home?

I'm from Milan, Italy. I was fascinated by graffiti and hip-hop culture at the age of 12. I started doing graffiti when I was 14 in 2004. I continued with graffiti until 2008 when I had to grow up and start university. Up until 2018, I had not touched art. Then, in 2018, at my lowest, I started painting, and I've been absorbed in this beautiful bubble ever since.

3 - How would you define your artistic style? Has it evolved or undergone any changes over time?

Of course, it has changed. For me, it has evolved enormously. I can't reproduce the same paintings from 2019; I have to adapt them to my present. For me, evolution and change are necessary in an artist; otherwise, they will stay stuck in a phase and will die like that, both mentally and physically. Change is inevitable in life, and change is necessary in art. I don't think there is an 'undergone' in art. Every change is an evolution; people may or may not like it, but for the artist, it is necessary.

4 - Can you walk us through your creative process? How do you transform an idea into a tangible piece of work?

Normally, my art comes from a dream I have. Then, I figure out how I want to represent it. After that, I start putting down colors and following the flow. Eventually, it comes to life on its own.

5 - In terms of inspiration, where do you go to find this? Who were your main influencers and inspirations as you were growing up?

As anticipated, graffiti and hip-hop have been my most influential figures. In terms of artists, I'd say Basquiat influenced me in my early age, and now, I'm inspired by Bacon and Genesis Tramaine. In general, I'd say life is the biggest experience. All the events that happen around me make me dream. Pain, sorrow, happiness, joy, and all the feelings that come from these experiences are projected onto canvas.

6 - What advice would you offer aspiring artists or illustrators looking to establish themselves in the industry?

Keep working, keep improving, keep believing! Get to know people in this environment and let yourself be influenced by them. Enjoy the journey. Paint for yourself above all else; if it's meant to happen, it will.

7 - Creative roadblocks affect many individuals in our field. How do you unwind and revitalize your creative energy? Are there any hobbies or passions you pursue outside of your work?

Well, that’s hard. I had a couple of creative roadblocks, constantly painting and canceling my works until something clicked, and I snapped again. I don't know how to overcome these creative roadblocks, but I believe it's natural, and every artist will find their way to overcome them.

8 - Reflecting on your career, could you share a standout project or collaboration that you consider a highlight? How did the opportunity come about?

Fortunately, I have had lots of memorable moments, but if I had to pick one in particular, I'd say it was my first big screen appearance in Times Square, New York, in May 2023. That was a crucial point in my career, and it made me realize that my direction was right.

Just before that, in April, I had my first solo show in Milan. Following that, I received many opportunities, including an exhibition during FRIEZE in Seoul, shows during Art Basel and Scope in Miami in December. Additionally, I was featured three times in Vogue UK. So, I would consider the New York exhibition as the turning point in my career.

9 - Can you provide a little insight into your current projects and any upcoming plans you have in the pipeline? Is there anything we should be looking out for in the not too distant future?

Now, I'm working on myself, developing networks for the future, and focusing on my representation through galleries. I've been selected for an art residency in Spain this summer, and I will be showcasing my pieces around Italy, starting this month in Florence. I'm loading, I'd say

10 - What has your experience been like collaborating with 13am thus far, and what motivated you to join forces with us?

So far, so good, I'd say. George hooked me up and told me about his project. I love it when young people are into art from different angles and are passionate about it. Besides, I want to expand my art worldwide, and Dubai is a great place to be, so I want that too.

11 - Looking ahead, what would be your dream project or client to tackle in the future?

My biggest dream? Being the greatest of my age in what I do, being remembered. My biggest fear? Being forgotten.

12 - To conclude on a lighter note, imagine hosting a dinner party where you could invite four individuals, living or deceased, who would they be and why?

Well, Bacon, Basquiat, Da Vinci, and Tupac Shakur for sure. On the living side, my closest friends and Kanye West. That would add a spicy flavor to the dinner, I'd say (laughing)."

13 - If you were granted the power of time travel, which historical event would you choose to witness firsthand, and what intrigues you about it?

The Bohemian period, for sure. I have a dream to recreate that era adapted to these years—with all the ateliers and big artists coexisting, creating while partying.